Showing posts with label movie reviews. Show all posts
Showing posts with label movie reviews. Show all posts
All Talk and No Action Sunday, June 3, 2012

May 1 - Ladies vs. Ricky Bahl - A silly and pointless endeavour.

May 2 - Kambakht Ishq - Don't judge. I'm allowed to watch atrocious movies once in a while

May 5 - The secret in their eyes - A 2009 Argentine movie. Won an Oscar for the best foreign language film. I was unaware of such weighty credentials before watching the movie. But after having experienced the magic of such powerful cinema, I can safely call it the best I've seen this year and definitely one of the most compelling onscreen romances ever. On the face of it, the plot's about a legal thriller panning 3 decades, involving a brutal and unresolved  rape. That the movie is set in a class ridden, bureaucratic Argentinian society of the 70s adds to the atmosphere. Stylishly directed; as you peel further, the story offers strands of love, humour, hatred, hope, longing, loss and retribution. The romance is achingly unalloyed and ethereal. It is completely to the credit of the makers to have portrayed such raw and complex emotions so sincerely. Ricardo Darin and Soledad Villamil make for a superb lead and are pitch perfect in their performances. It is impossible to remain untouched by this story. 

May 11 - Hugo - A visual extravaganza and heartwarming performances. I'd give anything to inhabit such a beautiful Paris. Highly recommended for cinema lovers.

May 12 - Blue Valentine - So, my first Ryan Gosling movie. THE Ryan Gosling. Boy, was I stumped! The next I know, I'm watching his movies in a row for the entire month. This one's a well made film - a distressing story about the dissolution of a relationship. The film is difficult to watch due to its imminent melancholic climax. Yet, it works on several levels, especially the performances.  

May 16 - Before the devil knows you're dead - A Sidney Lumet thriller. A one time watch.

May 17 - Drive - Ryan Gosling. Superb music that I've been listening to almost everyday. An intense,  stylish thriller which re-enforces the thought that 'still waters run deep'.

May 18 - Lars and the real girl - Yeah, Ryan again. Though I'm yet to watch Half Nelson (a movie which won Gosling an Oscar nomination), this one's my favourite.  The movie has such unbelievably generous characters that I wished to meet them in person. If only the world was this kind. You've to see this movie to believe what Ryan is capable of.

May 19 - Ides of March - Ryan Gosling. A political thriller. A decent watch

May 20 - The Notebook - So, apparently this Ryan flick makes women lose all grey cells and act against their better judgement. Well, I hate saccharine filled movies about 'louuvve' and am just not into a Romeo-Juliet kind of saga. So, I found it trash. Don't get me wrong. This one too is about eternal love and the blah, but it just didn't work for me.

May 20 - Crazy, Stupid, Love - I enjoyed this romantic comedy. An uber cool performance by Ryan and an equally funny act by Steve Carell. For those of you who have seen it, I found the "Steve Jobs" scene hilarious.

May 22 - All good things - Tada! Ryan Gosling again. This one's based on a real life incident. I don't have much to say here apart from the usual "Ryan was good".

May 25 - Fracture - A rather boring Ryan movie. Supposedly a thriller.

May 26 - Vicky Donor - An ingenuous plot and neat performances.

May 27 - Keith - A random teen romance I picked which left me pleasantly surprised. Not your run of the mill stories. A different plot with commendable performances by the lead.

May 31 - The Artist - I had a wide smile plastered on my face throughout this one. Every single minute was a pleasure to watch. Every actor, perfect. It takes real skill and bucket loads of audacity to make a B&W, silent movie in this age. With all things doctored and cosmetic around us, The Artist comes an absolute delight  and confirms that great stories can still be told simply. And Jean Dujardin -  they don't make men like him anymore! What a handsome and expressive face! The tap dance at the end had me mesmerised. But, everything said and done, I'd still have a difficult time deciding the better performer between Juan Dujardin and Uggie. Wouldn't you?

All Talk and No Action Friday, November 11, 2011



Image courtesy : 88 reviews


Calling Code Blue for Bollywood!

What a horrible year.

The one movie I expected and hoped (like really prayed) would add shine to this morose landscape was Rockstar.

Such misplaced expectations.

The last time I fidgeted this much in a theatre and shut my brain completely was during My name is Khan. Infact, even Kites let me off the hook in 130 minutes.

But not Rockstar. No. All the mild moments of enjoyment in the first 30 minutes quickly give way to such inanities, that I wanted to slap myself for even wanting to watch the movie, let alone expecting an engaging experience.

I cannot begin to enumerate the faults with the plot. What I think Imtiaz Ali set out to give us was a rich and layered tale of love, longing and heart break. Instead, what he has dished out is a senseless, trite and if you may, a sadistic love story. There is absolutely no reason why a viewer should feel for the characters.

While the love story is incredulous, the Rockstar bit is even more disengaging. I don't believe that pain and heartbreak are pre-requisites to create great art. Yes, great artists have been known to have suffered harsh ordeals, which may have lent more depth to their creations. Yet, the corollary doesn't work.

This is where I can't reconcile with the movie. And, you know what's funny? That the movie doesn't mean to promote this thought. And that, my friend, is my biggest grouse. The characters and the story are so botched up, that no one, including Imtiaz himself may know what the point of the entire drama is.

I am often amazed when film makers hire highly skilled staff to bring us breathtaking cinematography and soulful music but forget that great movies often work magic with the bare minimum : a well drafted script.

Is this rocket science?

Don't ask about Nargis. I hated her. Hated.

The only person I feel bad for is Ranbir. He must have had a lot of faith in the project. He acts well and is mostly a delight to watch. If only his character and the movie were more nuanced and better penned...

All Talk and No Action Saturday, May 28, 2011

Baradwaj Rangan paints a rather gloomy picture of cinema in general and Kung Fu Panda 2 in particular.

Can't help but agree with him.

I loved the action in Kung Fu Panda 2. However, I expected more from the movie in terms of deeper meanings, cryptic dialogues and something to chew on after having left the cinema hall.

Didn't feel too good about this feel-good movie.

All Talk and No Action Friday, February 25, 2011


Image Courtesy : Rippleeffects

The King's Speech is about the Duke of York, Albert, an heir who is 4th in line to the British throne, after his grandfather, father and brother. 

Fate however has different plans for him. The Duke, must take the reins of the Monarchy and be coronated as King George VI. 

He must restore public faith in the Monarchy - which had been dipping during the late 1930s and early 1940s. 

Through show of courage and perseverance, he must lead his countrymen and keep them hopeful, during the World War II. 

Only, there is a minor glitch. 

The Duke will do everything in his powers to keep away from the throne.

A chronic stutterer and low on self confidence – he will not jeopardise the fate of his countrymen and make them suffer due to his shortcomings.

How the Duke finally finds his voice and earns his rightful place in history, forms the crux of this movie.

Any adjective I use for The King's Speech will fall short of what I experienced last night, while watching it.

Though I am a cinema lover, it is hard to come by movies that make one's heart soar. 

The King's Speech had me choked throughout its running time. And this, I say in a good way.

It is hard to live with a physical/mental/speech defect, harder still to be belittled for it. But what is hardest and even daunting, is to be put under a microscope and be judged for your defects. To remain in the public eye and meet the sympathetic glares of your close confidantes and subjects. To live with a constant feeling of having failed in your duties.

The King's Speech offers many such terrifying moments – moments where you feel one with the King, in his humiliation and loneliness, failure and torment. 

Though I could grasp what King George VI must have been through, I just couldn't stop marveling at Colin Firth's portrayal of the distressed King. I wonder which recesses of his mind he must have tapped into, to bring to life such a complex character. At one level, I experienced the King's acute sense of terror in front of a huge audience, yet, at another, I was aware of the unfolding of a very uplifting personal story. 

While the entire cast comes up with a commendable act, I choose only to talk about Colin. I do hope he gets to portray meatier roles and moves away from his Darcy image. 

As a viewer, The King's Speech will treat you to some rare, poignant cinematic moments; they will stay with you long after the King has made his eloquent speech. 

Needless addition, still – Go watch it! 

*****
Next in line, Black Swan. Will keep you posted. 

All Talk and No Action Monday, February 21, 2011

If you are up for some dark, ominous, psychological thriller - Look no further.

Give Shutter Island a try.

This is one of the better ones in the film noir genres. If you like watching dark cinema, you might be a little too intelligent for the movie. Nevertheless, Shutter Island has plenty of good writing and cinematography to jar your senses.

The only sad fact about this movie and beyond is : how very underrated Leonardo DiCaprio is.

**********

Finally caught up with Band Baja Baarat.

A complete entertainer. Strong first half, okayish second half.

Good fun nevertheless.

All Talk and No Action Friday, February 18, 2011

Hum Dono Rangeen released on the 4th of February and my father had been excited about catching up with some good, old world cinema.

So, yesterday we caught up with the movie and my father's childhood.



Image Courtesy : Musicjagat


I will not outline the story for you. However, I will put in a word for the music composer Jaidev.

Hum Dono has some of the best written and composed songs of Indian Cinema.

Main Zindagi ka saath nibhata ta chala gaya, Allah tero naam, abhi na jaao chodkar... each is a musical and visual masterpiece.

Also, I found the leading ladies - Nanda and Sadhna very graceful and delicate. Dev Anand, almost devoid of his usual mannerisms, has come up with a commendable dual role act. His breakdown scene with Lalita Pawar caught me off-guard. Yeah, it was that poignant.

While I did spot some errors in the plot and the actual film making process, I choose not to bring them up. Given the era Hum Dono released in, it managed to be technically superior to other contemporaries, especially the dual act scenes. Infact, strong scripts with soulful music had always been a distinguishing feature of Navketan Films - Dev and Vijay Anand's production house.

Here, I must mention, I have always found Indian cinema of the 1950's and 60's very liberal. Most movies then, refrained from passing any moral judgments on their protagonists' personal beliefs. While I sat watching Hum Dono, I couldn't help noticing the unrestrained use of cigars and cigarettes by Dev Anand AND he being an atheist AND the display of physical (sexual) yearning of Nanda AND a very pretty Sadhna gifting her boyfriend Dev Anand a cigarette lighter. This said, each character is still referred to as brave, selfless and chaste.

Something was horribly wrong with the censor board then OR with our society now.

All Talk and No Action Thursday, February 10, 2011


Image Courtesy : filmofilia

Aaron Ralston is a mountaineer. In one of his canyoning trips in 2003, he meets with a horrible accident. The imminent 127 hours of his despair, solitude and stunning survival form the crux of the plot.

Without getting too verbose : 127 hours is not just a movie. It is an experience, each of you must have.

*****
I was delighted to watch James Franco enact the lead. He comes up with a matter of fact, nuanced performance and his charm and vulnerable looks add an extra zing to 127 hours.

*****
For those who have already watched the movie : Were you able to spot the scenes where musical notes similar to Behne De from Raavan have been plugged in?

All Talk and No Action Wednesday, January 12, 2011

Jai Arjun Singh suggested Baradwaj Rangan's piece on movie critiquing. Must read for all of us, who, claim to be movie aficionados and critics.

I may not completely agree with all the points Rangan has raised... yet, the essay gives a good look at the critiquing profession.

If I were to add a single point to the article : Stop giving out the entire plot in your reviews!

All Talk and No Action Saturday, January 8, 2011

I went for No One Killed Jessica (NOKJ), hoping to relive the furore and activism the incident had ignited in people across the country. It was an extra ordinary case, where most of us connected with the personal loss of the Lals. The relentless pursuit of justice by the media was also commendable here.

When you re-tell a story of such venality and subversion of justice, it demands of you to take the story to it's natural peak. The Jessica Lal case is heroic in many ways.



NOKJ, the movie, fails on this parameter.

With a very gripping first half, the movie languishes in the second half. A complete let down. As an audience, I wanted to relive the public hysteria and subsequent jubilation on hearing the Supreme Court's verdict. Maybe, even an exhausted Vidya Balan celebrating with a champagne. The movie offers none of this.

Amit Trivedi's music is uplifting as usual. While Vidya Balan is competent, Rani's Meera act is over done and doesn't impress.

Rediff and Mumbai Mirror nail it better. I don't subscribe to their ratings.

All Talk and No Action Thursday, December 30, 2010

My previous post spoke about lack of coaching at a famous educational institution.

I couldn't help following it up with a movie on coaching.

A few days back, while working on an official project, I was made to watch The Legend of Bagger Vance (Yes, I am paid to watch movies).


Image Courtesy : Link God

Though a little known movie, it is highly acclaimed in the learning and development community.

Set in the depression era of 1930s, the movie traces the coming of age of a golfing champion. Matt Damon as Junuh, is Savannah's most loved sports star and is tipped to become the best thing that happened to golf. That is, the world war breaks out.

Once back from the war, Junuh leads a hugely traumatised and listless life. He wishes for no human interaction and is set to live in oblivion, until, a local golf tournament is announced.

Suddenly, a mysterious caddy, Bagger Vance, materialises from nowhere and hereafter, the movie takes an interesting turn.

Unlike other sports movies, the coaching and advise dispensed here, are subtle and sophisticated. So, if you expect a hot blooded fight between foul mouthed sportsmen, you will be disappointed. Infact, the movie plays at a leisurely pace and does not have the aura of the adventure genre.

Yet, it is every bit a sports movie. The writing is thoughtful and provokes debate in the minds of the audience. No emotion is overdone, cliches are avoided and every performance is finely nuanced. Scenes between Bagger and Junuh are so well scripted, they will make you yearn for such a life coach.

I also found the movie to be beautifully shot. It has an ethereal quality which supports the tone and the philosophical bent of the theme. That apart, I have always had a soft spot for winter wear and this movie is spot on when it comes to the attire and feel of the era. One look at the costumes and you will know exactly how each character feels.

Matt Damon and Will Smith, both, do more than adequate justice to their roles.

I recommend The Legend of Bagger Vance, for, it is quality cinema and sets the ball rolling for self introspection.

All Talk and No Action Sunday, December 12, 2010

I have watched exactly two movies of Bill Murray - Groundhog Day and now, Lost in Translation.

Can't tell you how very endearing and amusing I find the man.



Image Courtesy : Witneyman

Lost in Translation is one of the best romantic movies you will ever watch. (Yes, I can't help gushing. So, for once, overlook the adjectives!)

Funny and poignant, I haven't been able to get it out of my head since yesterday. Especially, the climax.

The movie is layered and very well scripted. Everything else you want to know, please read it on others' blogs.

I am just glad, it sets right what Before Sunrise did wrong.

You will have to watch both the movies to know/guess what I am referring to.

All Talk and No Action Thursday, October 21, 2010


Image Courtesy : MSN

I went for this one only for the lead pair.

Do dooni char (DDC) presents a humorous tale of a school teacher's humble earnings and his family's struggle to keep up with the Joneses.

The movie has its funny moments and brings out a vivid portrayal of Delhi.

The writing however, appears cheesy, forced and even trite, especially during the climax. The subject on hand is important and the story must be told, but the writing fails to provide adequate closure to the audience.

When I think about a good mix of Bollywood and a natural portrayal of the middle class, Jaideep Sahni is the only writer who makes the cut. His writing is simple, yet, mindful of meeting basic box office demands.

On the acting front, Neetu Kapoor looks lovelier than ever and brings much charm to the middle class house wife. It's a pleasure watching the real life couple squabble over daily chores on the screen.

The debutantes do an okay job, though Aditi Vasudev's histrionics are quite an irritant to the nerves. I must make a mention of Shilpa Shukla here. The lady never fails to impress - be it her portrayal of a loud, fun loving Bengali aunt in Parineeta or a Sardarni in Lage Raho Munnabhai. Even here, she reminds of beings called buas - necessary but spoilt relatives!

The only reason DDC finds a mention on the blog is Rishi Kapoor. One look at him and I know why I was hard on Ranbir when he entered Bollywood. When you have a father like Rishi Kapoor, one expects only the best from you.

The warmth and honesty that Rishi Kapoor brings to his roles have often delighted me. It helps that he has a funny bone and is quite masterful in his comic timing.

He may not have won too many popular awards, but his performances always leave one feeling good.

That is reason enough for me to spend stupid money.

All Talk and No Action Tuesday, September 28, 2010

Image Courtesy : BollyAn

I was happy to note Well Done Abba's win at the National Awards.

Having watched the movie recently, I have been meaning to write about it.

Well done Abba is a satire on water shortage, and takes us through a rustic landscape (rural Andhra Pradesh) with colorful characters.

The writing is sharp and a fine balance is maintained between the seriousness of the subject and the inherent humour in the situation.

The Hyderabadi dialect adds to the country flavour and makes the movie an enjoyable treat. I am glad to watch cinema that is local in its design and offers a good take on the other India. Peepli Live is another recent movie that scored well on this parameter.

Enough has been said about the performances already. I will only add that Boman Irani brings much hope and happiness to Bollywood. God Bless him.

I was also very happy to watch Rajit Kapur after such a long haul - I have missed him all these years and wish to see more of him.

All Talk and No Action Saturday, August 14, 2010


Image Courtesy : Indiainfo.com

The past few weeks have helped Bollywood to better its Karma.

Tere Bin Laden, Udaan and now Peepli [Live].

I feel especially happy about Peepli, for an obvious reason - Aamir Khan.

However, this cannot take away Peepli's credit as a stand-alone product. Aamir or not, Peepli is an immensely well written satire on farmer suicides, Indian media and the state of politics in the country.

Though it deals with a stark subject, the movie has a strong element of black humour and is crisply written.

Needless to add, like most non-filmi background directors, Anusha Rizvi shows a knack for detailing, a quality I have come to respect. Another movie on a similar subject, which show-cased the director's fine detailing sense was Gabhricha Paus.

The entire cast of Peepli [Live] comes up with commendable performances, especially the lead actor, Omkar Das as Natha. I also enjoyed Farrukh Jaffar's portrayal as the foul mouthed, cot bound Amma.

I urge everyone to go for this fare.

Later we may want to have another version of jamming; this time, demanding that Bollywood make a theatre training compulsory for all its actors.

*****
Personally, I hate giving away the plot in a review. It spoils all the fun. Hence, you will not find the plot being discussed in most of my reviews.

All Talk and No Action Tuesday, July 6, 2010



Source: Esakal

The extended weekend gave me a chance to catch up with Gabhricha Paus - a movie that has long been on my waiting list.

Gabhricha Paus deals with farmer suicides and affiliated social problems. Through the story of Kisna, a farmer hard pressed against nature's fury, Satish Manwar weaves a nuanced drama about hope and despair.

Despite covering a dark subject, the movie itself isn't depressing. Infact, black humour is one of its many highlights, apart from commendable performances and deft cinematography. 

Manwar also seems to be well versed with the subject and thankfully, refrains from dramatizing the plot.

With each passing movie, I have realised, more than the main plot, it is the sub plots or mini-stories that appeal to me. Take for example, the relationship between Ranbir Kapoor and Prem Chopra in Rocket Singh. Ditto for Imran Khan and Ratna Shah in Jaane Tu Ya Jaane Na or the delicate friendship that unfolds between the kids in Masoom. 

Such stories bring out a film maker's understanding of finer details in relationships. Majid Majidi is a master in this space. Satish Manwar equally delights on this parameter.

As much as I would like to rave about the clever plot and the rustic look of the movie, I am sure that most readers haven't watched it yet.

Hence, I urge you to grab a DVD and set out for this engaging drama. Regional cinema may still hold some hope for cinema lovers.

All Talk and No Action Monday, July 5, 2010

It's a little late in the day for a review.

I spent a lot of  time trying to find people who held views similar to mine. Sadly, those who did, either didn't understand Bollywood or held childish views on politics.

Anyway, I share with you why Raajneeti was an absolute disappointment for me.
  • Indian Politics and Mahabharat are both rich subjects, requiring deft treatment. Jha failed in this department. Why he mixed both, fails me.
  • Life, including Politics, is mostly gray. Jha showcases Politics as uni-dimensional. "Everyone out there is a scoundrel" is what the message appeared to be. Really, it is a very damaging view to hold. Saner and more realistic movies to have come out on politics are Satta by Madhur Bhandarkar and Gulaal by Anurag Kashyap.
  • The movie had awful character development. Katrina's new age woman, who is raring to go after the man of her dreams, giving in meekly to the demands of the men in her life, was such a no-brainer! Her character is treated like cattle - auctioned from one party to another. You may say that this is how it is for women from political families. Then, I say, don't show a street smart belle. Someone timid would seem more authentic. Or, at least show a decent fight being put up by the character. Pouts don't count! Similarly, Ranbir's "Arjun" was beyond me. I laughed out when, during the climax, he loathes politics, stating how it brings out the animal in him. Really?? No external force can ever bring out the animal in you, unless you already have one residing within. Ranbir's transformation from an international student of Victorian Poetry to a blood thirsty, scheming mastermind was an assault on my senses. For all the drama about his conscience, there was not a single scene depicting agony or internal debate within him. I hold similar views on all other characters in this opus. Bollywood movie makers really need to work on creating believable characters.
  • At a subconscious level, the movie seemed to promote the idea that children of political families are born with political acumen. How else do you explain Ranbir's character? It seemed as if the guy had been writing poetry, always secretly wishing to manage a national election campaign. Duh !
  • The quintessential rain sequence - The scene between Nikhila Trikha and Naseeruddin Shah gave the impression that all one requires to unleash stupidity in people is monsoon!
    • The only good thing to have come out of the movie is the "Jesth Putra" scene between Trikha and Devgan. It is my official recommendation for the most hilarious scene of the year.
    • It would be unfair to say that I found no good in the movie. Arjun Rampal was quite an unexpected delight. So was Shruti Sheth. But that's that.

    All Talk and No Action Friday, May 21, 2010

    Story, Action, Drama, Romance, Comedy and whatever else you can think of - Kites joins the ranks of few movies, which lack all of the mentioned requisites.

    This isn't a regular review. You can find out about Kites related paraphernalia elsewhere.

    *****
    Mr. Rakesh Roshan - An enviable brand, you have created in FilmKRAFT. Your movies have entertained many, for many years. So, keeping in mind your movie making acumen, just how in the world, did you come to write Kites ? Can't you accord some respect to your audience ? What in the world, gives you the right, to mock people who actually help you remain in business ? If I were you, I would be ashamed, to be called the story writer for this movie.

    *****
    Mr. Anurag Basu - Just when we thought you were gifted, you had to do this ? You now hold the title of making one of the most boringly, lifeless movies ever.

    *****
    Miss Kangana - You do a lot of depressing roles. In fact, I don't remember you ever playing a happy, lively girl, ever. Yet, even with what you are offered, you always impress. So why in hell did you accept this nonsensical garbage ?

    *****
    Miss Barbara - You chose well. Still, I think the biggest loser in this whole deal might be you. Or is it that they make more horrible movies in Mexico ?

    *****
    Dearest Hritik - A full two years after Jodha Akbar, and this is what we get ? Yes, a lot of shows may run full, owing to your physique and amazing dancing skills. Yet, a lot of us spend our hard earned money to get a glimpse of the Hritik of Lakshya or maybe, even a Mission Kashmir. This is the least you owe to your fans. Maybe you don't need our money. In these days of multiplex cinema, you can be assured of breaking even, at the very least. Still, don't you owe it your own self ? Whatever happened to your intelligence ?! Please spend your blood, tears, sweat on more meaningful cinema. Kites can't even be called cinema !

    *****
    All the Roshans - You guys mostly create magic onscreen. Yet, maybe, you should give yourselves (and us) a break and go separate ways. That way, one of you will show some sense and advise the others against trodding down the path to self destruction !!!

    *****
    Bollywood film makers - A lot of you wish to expand your viewership, go global, win awards and crack important deals. I wish you luck. Just don't name your rubbish as "Indian Cinema". Your movies make us cringe and it becomes difficult to clean up the mess after you leave ! Also, didn't you have a story writing class in school ? If story, which is primary to a film, is so difficult for you guys, please adapt from literature. But give us characters which make us feel for them. And please, please, please work on your idea of romance.

    All Talk and No Action Thursday, March 25, 2010


     Image Courtesy : Moifightclub Files

    The last movie which was well researched, wasn't jingoistic, didn't make you cringe and managed to be patriotic, was?

    Maybe Swades, but again, it couldn't help preaching. I don't recall any other.

    Your wait ends with Road to Sangam.

    This little known, small budget movie,  released in January 2010, has slipped past most movie buffs. Our Pseudo-Secular  media too gave it a miss.  No surprises there. The movie just didn't fall into their definition of patriotism.

    Road to Sangam is a thought provoking, Gandhian movie and I dare say, the very best in its genre.

    Gandhianism is restricted to movies, books and currency notes today. 

    Road to Sangam tries to bring forth the ideas that Gandhi lived and died for. It enmeshes fact with fiction and gives us an authentic drama about one man's struggle to be an abiding, God fearing Muslim while still being a sincere Indian.

    When a bomb blast occurs in Allahabad and some members of the Muslim community are wrongly taken into custody, the community Maulvi (a stellar Pavan Malhotra) asks fellow members to shut shops in a show of  protest against the system.

    Hashmat Ullah (Paresh Rawal, at one of his best), a much respected member of the society and a secretary of the community decides to abide by this request, though a tad unwillingly.

    Little does he know that the vintage Ford engine resting in his shop cannot afford the wait. It is about to take one last journey to Sangam, for submerging Mahatma Gandhi's forgotten ashes.

    A visit to the local museum and one look at the Ford about to carry the Mahatma's remains, change something in Hashmat Ullah.

    From then on, the movie flows wonderfully, breaking many barriers, raising pertinent questions and pushing for a change.

    Vey subtly, it raises significant issues - Where does one draw the line between being a true believer and a borderline fanatic? What will it take for us to realise how religion and politics, can make or break us as a nation? Finally, can and should religious leaders make our decisions for us?

    Some little known facts on the Partition too have been brought into limelight. 

    Finally, a very sane look at what true Karma is and how we undermine its importance today.

    Rawal is at his subtlest best as Hashmat Ullah and it's difficult not to feel his vulnerability. Pawan Malhotra as the Maulvi delivers a stellar performance too.

    The movie is well shot and dwells on details. It also has some soulful lyrics and uplifting music.

    Practical Gandhianism, a slow yet simmering awakening and an honest intention - this is Road to Sangam for you.

    A must watch for all nationalists.

    All Talk and No Action Friday, March 19, 2010

    I am back to watching movies and tele-series with a vengeance.

    My latest recommendation is Groundhog Day.

    Just the description of the story (on IMDB) created enough interest to give it a try -

    "A weatherman finds himself living the same day over and over again".

    Yes, Phil Connors, a weather reporter with a local news channel, takes up an assignment to cover the Groundhog Day celebrations in Pennsylvania. A sarcastic and cynical man, fun begins when Phil realises that he is living in a time loop.

    How would you live life if every other day was exactly the same as the previous one - with this sentiment, the movie creates some hilarious moments and shows a very skillful transformation of Phil.

    Also I loved the fact that, like in most movies, the protagonist isn't a changed man when the ordeal ends, he is only an improved version of his previous avatar.

    Some other subtle messages too here, but I wouldn't want to spoil it for you.

    I generally watch two movies back to back. However, this one offered enough funny and sublime moments and I just didn't want to spoil it.

    So, go right away and watch this one as a priority !

    P.S. - If you are a snooty viewer and only watch Oscar nominated movies, this one won the Best Film award against the likes of The Schindler's List in 1993. Happy?



    All Talk and No Action Sunday, February 14, 2010

    With lots of time to kill last night, my brother and I zeroed in on My Name is Khan.

    I always have reservations about a Johar movie, especially, when he directs it. Still, not heeding advice of empirical data and ignoring my intuition (which is almost always correct in pointing out potential disasters), we headed out to watch MNIK.

    ***************************************************************

    Oh before we talk about this Opus, let me tell you, yesterday was an official paid leave for the Policemen of Mumbai.

    About 30 policemen guarded the Cinemax we went to. We saw a dozen outside a closed Fame Adlabs too.

    Well, a shut Adlabs would have cost a bomb to the owners, really. A weekend and no shows to run?

    But that is not the point. Business losses toh hote rehte hain. Big Deal !

    What I am happy about is that our overstretched, tired, un-appreciated policemen got a paid leave.

    Only I don't know if being over-stretched yet doing real work is more exhausting than watching a Karan Johar movie.

    ***************************************************************

    So back to MNIK.

    Now here, for the first time, Karan Johar has tried his hand at "serious" and "meaningful" cinema.

    I hope this is his last time.

    My Name is Khan chronicles the life of a Rizwan Khan with Asperger's Syndrome. The movie is a three hour melodrama on his life, his outlook, his relationships, his beliefs, his religion, his kindness, mother-son relationship, husband-wife relationship, racism, Hindu - Muslim riots, 9/11, post 9/11 atrocities on various ethnic communities, Afghanistan, Iraq, President Bush, Hurricane Katrina, President Elect Obama.

    There is more. But I am overwhelmed and hence cannot mention all the issues the movie brought up.

    Terrorism, Mental/Physical Disorders and Religion - all require certain sensitivity to portray onscreen.

    Karan fails colossally.

    From the story to characterization - everything is faulty in this one.

    The movie is so inconsistent when it deals with characters and historical events, that it leaves you feeling stupid.

    E.g. Towards the end of Bush's term, when Obama catapulted on the world political stage, I remember reading that Bush had been advised to make lesser public appearances, since his face was actually doing more harm to Republican candidates than helping them win. So if you have followed the 2008 Presidential Elections, you would actualy know that Bush had almost disappeared from the public scene. Yet, the movie, not only shows Bush in his full glory, being treated like a King at all public appearances, and that at the fag end of his term ! Which would mean August/September 2008 ! Why Karan why??

    Also, the relationship between SRK & Kajol is just so inadequate and glib that it leaves you speechless, really.

    The movie has various such exasperating incidents and goof ups.

    Also, in trying to address various issues, Karan loses track and ends up addressing nothing.

    One wouldn't mind such stupidity, had the central characters been well written and brought out onscreen.

    But SRK's Rizwan is not what a person with Asperger's Syndrome would look, dress and be like. Though SRK does a good job in some scenes, especially which only require him to smile coyly, or show his emotions when the situation demands, overall I wasn't convinced.

    The biggest let down was Kajol's Mandira. The character has no depth and would seem like an opportunist by the end of the movie, if you are still watching it, that is. Kajol, though looks stunning, has a weak role and I am amazed how she didn't object while going with it.

    The music by Shankar-Ehsan-Loy is very average and doesn't make the journey any easy for the viewer.

    It would have made more sense to make a movie with a person afflicted with some disorder and focus on his relationships.

    Or a movie just on Terrorism.

    Or a movie on the plight of ethnic communities in the US after 9/11.

    Or a superhero SRK flying in to help the victims of Hurricane Katrina. Yes, that would have been more convincing.

    While I fidgeted in my seat last night, and almost cried out of boredom, I took an oath of never to watch Karan Johar directed movies, not even if I am thrown out of my house and have no avenues of killing time.